Thursday, December 24

Review: People of the Book

I spent quite a while waiting for this title to release in paperback, and I was not disappointed with what I read. I've never read anything written by Geraldine Brooks - I heard great things about March but was not terribly interested in the story so I passed on reading it. I was first intrigued by this book, however, because the story reminded me of The Red Violin which is one of my favorite movies. I heavily favor stories told in reverse as a literary device, particularly when they revolve around objects as characters. A well written slow reveal is a very gratifying type of fiction. I like to know roughly where the story is going from the beginning because for me, the joy in reading is how the author brings you there. And in this case, it's a journey surrounding an object and historical timeframe that I find interesting as well.

The strength of these types of narratives lies in the ability of the storyteller to tell a multiplicity of stories, and People of the Book does not disappoint. Even one poorly developed or disingenuous segment can ruin the story as a whole. Brooks balances each historical segment expertly, and I felt that each historical snapshot of the book's creation and preservation was compelling and engrossing. The human characters were not distracting and at times interesting, but the manuscript itself was the clear and intentional star of the story. I found myself wanting to know what each clue meant, and this desire grew with each chapter.

I often find it difficult to finish books quickly and tend to move from one partially finished book to another. People of the Book held my attention well though, and I found the final reveal surrounding the book's creation to be very gratifying. The book itself is a companion to many people throughout its history, and though many of them suffer great pains and tragedies the book's survival is uplifting.

The historical sweep of the novel was what drew me in, but I was surprised to find that I enjoyed the characters as well. I tend to find that "good" characters are often boring, but Brooks manages to make her heroine Hanna believable and sympathetic without distracting from the flow of the story. She begins the story as a bit of a tool - the device by which Brooks is able to dissect the manuscript and set up the acts that are to follow. The characters in each historical setting are strong, brave, and faced with some of the most difficult times in the last few centuries. In comparison, Hanna seems mild and dull. As the story progresses, however, she finds her legs and her own adventure surrounding the manuscript becomes worthy of its predecessors.

All in all, I found this a very enjoyable read. I enjoyed it especially because each section was very manageable in length. I was able to sit down and read it section by section, setting it down for weeks at a time in between, and resuming without any loss. It wasn't overly simplistic, but it was easy to follow and a pleasure to read - a great balance of substance and style.

Sunday, July 12

Hiatus, Clearly!

It's pretty clear that I have been slacking off on my reading and my new years resolution, hard core. Between boxing up all my books for my upcoming move and the alternating Aion Beta testing weekends, I haven't been reading as much as I should.

I do have a forthcoming review of China Underground, the book I read on vacation last month in Japan. I also have started reading People of the Book, so that review should be coming soon as well.

Thursday, July 2

Great New Weekly Comic

Leading off with my random funny - reading a snippet of a random fan fiction this morning I ran across one of the funniest "word choice" errors in recent memory. Instead of using the word "ethereal" the author used the word "urethral". Not even in the same ballpark. These types of errors are absolutely one of my favorites, beating out punctuation, contraction, and spelling by a good measure. I like to imagine the writer hunched over a laptop in the early morning, reaching for one word with their brain, exhausted, and brushing up against another instead. In the obliviousness I find a great deal of enjoyment because I am, at my core, not a very nice person.

Secondly, I've been introduced to a really lovely not-for-kids (but not *really* adult rated) weekly comic called freakangels. I'm not sure where to begin so I'm going to make a short list of the reasons why it's completely awesome, and giving me a new reason (other than my boy mangas) to look forward to Friday mornings.

1) It's very wonderfully British. Not just in setting, but in language and philosophy as well.
2) The art is lovely and detailed. It's at times inconsistent, which I enjoy because it's so clearly drawn by hand. The colors are also lovely.
3) It references true life - real buildings are portrayed in various stages of destruction/repurposing, real people are discussed, real events are mentioned.
4) The characters are very well defined - each serves a specific role - but they don't feel like carricatures. They embody a lot of the philosophical and emotional baggage you might expect to find in young adults with their unique capabilities.
5) It offers excellent commentary on human nature, interraction, psychology, philosophy, science, etc etc.
6) Even at 6 pages a week and no more than 4 panels per page (often less) the story moves forward at an excellent pace and covers all characters rather evenly.

I quit reading comic books some years back, when I became too poor to afford entertainment outside of one monthly MMORPG fee. I also gave up when Grant Morrison's New X-Men run ended and the franchise's growth towards realism and quality art was demolished. I recently revisited the franchise with Joss Whedon's Astonishing X-Men, as it once again combined excellent writing, art, and character choice/growth.

I started reading manga some years back, not only because fan-made scans are free, but because I often find myself appreciating the aesthetics and philosophies of this type of Japanese literature. Aparently I am late to the game in discovering Warren Ellis, but I'm glad to be here now with this excellent horizon ahead of me!

Monday, June 29

Interesting Digital Comics

Filing away for future reference, assuming I ever manage to get myself out from under the mountain of books I have waiting for me on my shelves.

Cory Doctorow's Futuristic Tales

This one I absolutely must read - it's LotR told as a group of D&D gamers. Sounds brilliant.

Twenty Sided

Persepolis 2.0

Found this morning via Boing Boing, a well done update to Persepolis detailing current events in Iran. It's great to see this stark and effective art style getting co-opted to tell another story. It's simple and accessible, and reproduced easily enough that the quality of this novel is high, making it enjoyable.

Persepolis 2.0

Monday, June 22

Today in Horrible Books That Became Horrible Movies

Courtesy of Chris, the funniest mash-up i've seen in a while:

Buffy vs Edward Cullen

I hope this strikes a blow to prepubescent teen girls with unrealistic notions of romance the world over!

Bleach Redemption

I am finally excited to read Bleach again, since some of the under used characters are finally getting a chance to fight.

Like many rabid fangirls I've been waiting to see Shunsui and Ukitake fight since, oh I don't know, the original Soul Society arc when their fight was teased and cut away from, never to be revisited (SHAMELESS TORTURE). Bleach sports an impressive number of characters, and it's a shame that two of such good quality have pretty much sat idle for years while a seemingly never ending stream of crappy characters powered up and fought.

I was excited to see that they would be included in this arc, but even so I was pleasantly surprised with this week's development. More than seeing them each fight what I've wanted is to see them fight together, and that appears to be what is in store! I'm a sucker for the older characters in most mangas, especially "man friends" - warrior characters who posess a depth of bond with one another. Grown men who understand teamwork and serve as an example to the younger crowd who have yet to learn such important lessons. Ukitake and Shunsui both posess an enormous gravity and depth that surpasses most characters in Bleach - or perhaps their comic relief is just slightly less and it appears that way. Though they are light and warm in their daily mannerisms, they are both serious and shrewd when necessary. I'm excited to see what these two have up their sleeves. It takes a lot to make a pacifist fight and I'm sure it's not something we'll get to see any time soon once this is over.



It was chapter 156 when the fight cut away, depriving us of the fight and leaving people wondering exactly what was going on, and now 208 chapters later, we finally get to see! The first fight was against their will, and consisted of zero action - simply the provocation for them to release their swords and fight. Though Shunsui had previously "fought" Chad by dodging his attacks till he was nearly out of stamina (and offering him a drink to pass the time rather than a fight) and Ukitake was seen briefly fighting in a flashback, there was very little combat for either of these captains.
Laura's Handy Chapter by Chapter Timeline:
Chapter 105 - 106 - Well met! Ok technically we've seen him sleeping and avoiding work previously, but now he's going to....wait, drink sake?
Chapter 107 - The "fight" is already...over?
Chapter 138 - Oh, what's this? Action in the works? I hope we're not TARDY or anything.
Chapter 151 - OOPS we were late...run!
Chapter 156 - Hey, we're finally gonna fight! How exciting! Except....cut away!
Chapter 172 - Hey, look, we were fighting this whole time and we didn't even break a sweat. Now that the action is on us again...wait, what? Truce? You've got to be kidding me!
BIG FUCKING GAP of badness. BADNESS.
Chapter 316 - Hey remember us? We're back and ready for action. You know, eventually.
Chapter 329 - Hey, I'm even taking this seriously and I won't try to slack off...well, we can slack off for a while since there are other incredibly long fights to watch.
Chapter 335 - Still screwing around? I swear, I'm left handed!
Chapter 361-362 - Ok it's really on this time! Right?
Here's hoping it's not another YEAR before this fight concludes!

FINALLY!!!!!!!

Mission Failure

I broke my New Years Resolution, I bought 3 books without finishing the proper number...

First and second were China Underground and Zen and the Art of Motorcycle Maintenence, purchased for my trip to Japan (a good excuse, right? right...). China Underground was finished in Tokyo, but I was too tired to read much by the time we got to Kyoto, so Zen is barely cracked. Thirdly I finally located a paperback copy of People of the Book on my birthday (another good excuse, right? yeah....) at the Barnes and Noble downtown on my way to the Paramount to see Rent (aside note: yay!).


Not to vent, or anything, but I have been trying to find a copy in a store for ages now, and all they ever carry by Geraldine Brooks is her best selling previous novel, March. I understand how they chose to stock their shelves and push the books Oprah says are good to read, but seriously, could we maybe get a little bit of diversification? I've stopped into 4 or 5 LARGE bookstores and faced the same problem: 6 or 7 volumes of March and nothing else.

It's almost as though they try to punish me for shopping in their stores instead of buying online....so sad.

Friday, June 19

A Bit of a Stretch, Yeah...

But I can't help it! These jokes are so funny, and good jokes are like a good book. Well thought out and cleverly delivered.

Besides, who doesn't love funny old people? Old Jews Telling Jokes will make you laugh

Tuesday, May 12

R.I.P. Leonard Shlain

I hate coming across random obituaries of people I respect or whose work I enjoyed. I knew nothing about Leonard Shlain except what I read on the dust jacket for The Alphabet vs The Goddess, but I found the book to be a nice read - a mix of pop psychology and sociology, neuroscience, mythology, archaeology, and history. It proposes an interesting theory, that society is transitioning from masculine dominated, linear, alphabetic society to a feminine, holistic, image based one.

BoingBoing has a nice tribute up

Monday, May 11

You've got FanFic!

I don't have much to pass along today in the world of books and graphic novels, but I did want to take a moment to comment on my favorite little perk of finally getting over my shyness and registering an account at fanfiction.net over the winter. Not only can I bookmark all my favorite little stories to reread later, but I can subscribe to authors and stories, and get lovely email notifications when new chapters/stories are posted. This is a godsend - it means I only have to dredge through the muck of manga fanfic a few times a month, grab the gems and hit "notify me!" and then I reap the benefits for weeks and months to come as the stories roll out gradual updates.

Of course, the downside is that I've been twitching in my seat knowing I have a new chapter to read once I get home from work...but I blame the coffee not the fic!

Thursday, May 7

Pop Nietzsche

This site is brilliant - pairing the depth and force of Nietzsche's language with the vapid art and dull domestic scenes of Family Circus. What do I enjoy more than Nietzsche's writing and clever juxtaposition of opposite elements? Both at the same time!

Cookbooks for "Kids"...(or ridiculously silly adults!)

I definitely want to grab a copy of this book. Thanks boingboing, finders of all things geeky and wonderful! The sad but honest truth is that the level of skill required for these kid-focused recipes is probably about right for my current cooking expertise. I've been slacking off in the kitchen ever since I went to college (who needs to cook when you can just microwave something) and it's about time I started eating my veggies again. I'm especially excited to see that this contains vegeterian and vegan recipes. YAY!

http://www.boingboing.net/2009/05/07/an-alien-robots-cook.html

Wednesday, May 6

Book Art

I can't help but think this is a cool project, even though I can't bring myself to harm a book by cutting on its cover.

http://www.boingboing.net/2009/05/06/thomas-allens-book-a.html

Monday, May 4

Pragmatism

Sometimes the world tosses me the weirdest little hints that I have become overly pragmatic, or perhaps just especially jaded when it comes to matters of the heart. Today's free NYT crossword is no exception:


Thursday, April 23

Book Army - New Social Media Site for Readers

Courtesy of the folks at boingboing, now I know what I'm doing after work tonight - populating my list of favorite books at bookarmy.com to see if this site really does have any good reccomendations for me.

Here's hoping this isn't just another mass market site - I love shelfari, but for the longest time I simply pretended that I haven't read the Harry Potter books. Every update, every comment, every "people who have similar reading tastes" item was about Harry Potter and nothing else! I have since re-added the series to my page, and simply chose to ignore the spam of it being the most read, most commented, and perhaps I would like "Twilight" spam - perhaps NOT!

Tuesday, April 14

Favorite Chapter Covers: Death Note

I love the art of the death note manga (and the anime has excellent art, too). Below are some of my favorite cover images, including the one currently hanging in my living room (pictured at top). I won't lie, I just bought it because it was the only one with L in it.


I always liked this cover, even though Misa looks a bit off to me. Much cuter in the goth getup (see below). She reminds me of the movie Beetlejuice in this one, it's got to be the tights.


I love this pic of Ryuk mostly for the shiny red apple. Juicy!

This black and white is my favorite image of Light. It really captures the evil genious at work.

Friday, April 10

Favorite Chapter Covers

While writing my random entries on the different types of violence in the mangas I've read I ran up against logical restrictions on the number of images I could include in a single post without being ridiculous. It's tough and kind of pointless to demonstrate without using the actual images, so I picked a few that are indicative of general trends, but that leaves out quite a lot of good ones. So I am currently in the process of compiling some of my favorite (as non-spoilery as possible) covers.

Graphic Violence in Graphic Novels: Naruto

Naruto is a manga with an excellent balance between action, narrative, and character development. The story follows a team of young ninja (Naruto, Sasuke, Sakura) and their teacher (Kakashi), other young ninja of their village and their teachers, and some older ninja of the village. The plot is too complex to sumarize simply, but two of the msot important themes are the importance of bonds and the power of believing in oneself against all odds. In the beginning of the series, the young ninja are just children - silly, lazy, lovesick, or concieted. Through the first part of the series the characters grow and their bonds to one another begin to form, but it is through the lengthy "timeskip" that jumps ahead several years that allows the true changes in each to begin to show. Naruto himself matures gradually at first, constantly evolving as the story unfolds and then exploding into new power and maturity due to various events.

Naruto is a strong counterpart to Bleach - both focus on the stories of a young boy with exceptional ability that he doesn't understand who pushes himself to become stronger to protect loved ones. Ichigo becomes an exceptional soul reaper despite being a human (the full reasons behind his later transformations are still somewhat ambiguous) and fights rabidly to defend his friends and protect his home. Naruto begins as a village outcast, but with the support of his friends he discovers and taps his hidden resevoir of power, developing into a strong and capable ninja. Though their primary themes are not identical there are many similarities, primarily developing the strength to protect loved ones and the importance of bonds. Whereas Bleach primarily focuses on individual characters and their quest to become stronger, Naruto prizes teamwork and responsibility. One of Naruto's additional themes is maturing into adulthood by carrying forward the traditions, wishes, and missions of the past. As the older generations fall in battle, they leave their unfulfilled dreams and missions for the younger ninja of the village, and as the young ninja mature they each adopt this responsibility in their own way. Some characters, notably Shikamaru and Naruto, develop unexpectedly into serious, reliable, strong ninja due to these burdens. Others, such as Sasuke and (to a lesser extent) Neji are weighted down by the burdens of their past and their clan's history. The memory of those lost is a constant theme that affects each character differently in a wide spectrum of responses. Sasuke has the strongest negative reaction - rejecting his village and walking a dark path to obtain the power he believes necessary to achieve personal revenge. Kakashi is also haunted by the ghost of those he has lost over the years, but though he clearly suffers constantly from these losses he is able to function and move forward. Gaara and Naruto are plagued by their loneliness and life as outcasts, but both are able to turn their suffering around when embraced by others and humanized (the manga uses terms like "acknowledged" or "recognized"). Even Jiraiya is haunted by his inability to save his friend, and this regret drives his actions throughout his life. Shikamaru has perhaps the most positive reaction, chosing to cary forward the memory of his fallen teacher and growing into a man nearly overnight to avenge Asuma's death.

The art of Naruto, like that of Bleach, has developed and matured greatly over the years. Looking back at the earlier chapters, you can see how the character designs improved, the lines become stronger and more confident and the action more dynamic. Naruto contains much more dialogue than Bleach - while Bleach often depends on large dramatic images to move the story forward, Naruto uses small frames and focuses on minor elements - eyes narrowing in anger, a fist clenching, a mouth opening in shock. It focuses on the human elements - devestation, loss, trauma, and mourning. The violence is the means to the end, and not the end itself.

Though the violence in Naruto is not very bloody or extreme, it is ever present. Most older characters are either absent due to their death or carry visible scars from their missions over the years. Though the combat is often less bloody and violent, it often results in death - not just of enemies, but of pricipal characters. Bleach (and many others, though I'm not as familiar with others of the genre) kills off its villains one by one, gradually whittling down the enemies while each heroic character manages to survive narrowly to heal their wounds and fight another day. Character death adds an extreme amount of dramatic tension to each and every combat and leaves the reader with a constant uncertainty about the outcome of each battle. While far less shocking visually, it is often emotionally devestating. Every three chapters translate roughly to a month's time, so it's not uncommon to be left with a cliffhanger for months, wondering if a character will survive. This tension (cruelty!) keeps readers rabid for their next chapter, often causing serious bandwidth problems for the sites that post the files for download or online reading on the day chapters are released.

The structure of combat in Naruto is occasionally single combat between principal characters, but more often it's team based. One of the major themes is the importance of teamwork and the strength of bonds between friends, so there is a mixture of single combat between rivals and team combat. Because of this there are often many things going on simultaneously within a single fight. This is often portrayed with several medium sized images interspersed with smaller images of reaction shots, background action, or set-ups. There is also a lot more talking during fights - communication between teammates, planning, and of course the usual taunting and baiting between foes. The amount of conversation and plot development that occurs during the fights tends to draw them out into lengthy affairs, and during the course of a single battle you often see characters mature, develop new skills or reveal new plot elements. The amount of conversation is high not only to accomodate character growth and plot development - many of the villains in Naruto are encountered more than once and have long histories with the protagonists.

One of the primary items that sets Naruto apart from Bleach in this regard is that early in the manga's run, one of the principle characters "defects" from the group and essentially becomes involved with an enemy of their home village. The primary characters fight not only to combat physical threats to their home, but also fight to return their comrade (physically, socially, emotionally). This character, Sasuke, is not the only "fallen" ninja - the series' primary villains are not foreign or pure evil. They are ninja who have forsaken their villages and the code that exists to maintain balance between different countries. They fight instead for their own benefit and agendas. For many of these characters, there are conflicting emotions that drive their actions - bittersweet memories and dark obsessions with their past that motivate them. It's perhaps more accurate to call them antagonists. Their actions are against the protagonists, but not necessarily evil (though many of them are) - the enemies are as human as the heroes, and not simply personifications of evil.

Tuesday, April 7

Currently Reading: Yakitate Japan

I'm currently over halfway through Yakitate Japan, an adorable (and strange) cooking manga that some friends recommended to me ages ago. I began to watch the anime a few years back, but got frustrated with my slow connection's effect on my download speed and gave up just a few episodes in. Though it's pretty repetetive (behold, my Japan #xx has upset the expected victor and I have come from behind to win my baking contest!), it's also cute, funny and full of interesting information about food, cooking, and Japan. It also makes me crave bread. It even makes me miss cooking and baking, which is something I haven't done in years! It's a little heavy in puns (though the translators go to great lengths to explain the puns a lot of them really don't translate, which is a shame) but I enjoy the humor nonetheless. I also find a lot of humor just in the format - normally I read violent manga where the "battles" are physical ones. It makes me smile to see the same level of competition applied to baking. I remember the concept seeming a bit silly to me when I first heard about the anime, but competetive and "reality" cooking shows have truly exploded as a popular television genre here in the U.S. in the last few years, so the entire concept seems a lot more plausible to me now. Not to mention the baking competitions I used to watch on the Food Network before I stopped subscribing to cable.

Monday, April 6

Currently Reading: Notes from Underground

In addition to The Egyptologist, I'm also reading Notes from Underground by Fyodor Dostoevsky. I've had this one sitting on my shelf since I was an undergrad and sniped this from a Russian Literature course's books in the University Bookstore. I used to buy a couple extra books every term as I went through picking up the books for my own courses. So I should probably apologize to three years worth of UW Literature, History, Religion, Philosophy, and Sociology majors for stealing their books. Sorry!

I'm glad that I am finally getting around to reading this. The lovely spring weather always inspires me to read something introspective. After this I will likely polish off The Myth of Sisyphus by Albert Camus.

Saturday, March 28

Graphic Violence in Graphic Novels: Bleach

Bleach is an excellent example of gorgeous art (the story, not so much these days) and amazing use of black and white to create striking images from gore - puddles of blood, gaping wounds, severed limbs, you name it. Though each character possesses various special attacks, the predominant mode of combat involves swords - hacking, slashing, slicing. In other words, lots of blood. In the early parts of the series the majority of the combat occurred between humanoids (literally "shinigami" or soul reapers) and "hollows" which are demons. In form, these hollows are often grotesque and monster-like, so the devastating form of the attacks on them is not too disturbing. These enemies are regularly chopped up and disposed of quickly and efficiently. As the plot of the series begins to unfold, though, the violence shifts and primarily occurs between shinigami and similar humanoids.

In virtually every fight the protagonist, Ichigo, is taken to the brink of death from severe injury and/or blood loss. These bloody and vicious fights are not very upsetting though, because they carry with them very little danger. No matter how devastating the injury, the main characters (of which there are dozens and dozens) escape death time and again, demonstrating to the reader that there is little or no need to worry for the characters' fates. Because of this, the violence is purely fore entertainment - without threat there is very little emotional involvement and little potential for the characters to grow and mature. Each episode plays out like those before it - an enemy appears, seemingly too difficult to defeat, but somehow the heroes manage to narrowly achieve victory. This formula is repetitive, but it also works well most of the time. The first story arc, contained in the first 180 or so chapters is amazing - well developed, thought out, with interesting glimpses of a very large supporting cast of characters (see video 1). However, following the culmination of this arc, the storyline devolves rapidly and loses its sharp focus. A new set of enemies is introduced, but there is no real threat - not only do the main characters come through each fight eventually, but the forces of the enemy gradually deplete as they are defeated one or two at a time. A new story arc attempts to recover the dynamic quality of the first - even mirroring the structure - but it fails miserably due to several immeasurably obnoxious supporting characters and the lack of strong supporting characters from the first arc. Eventually, the story manages to come out of this muddled period and regain some of its clarity and interest, but even then it's more of the same formula.
What moments of self reflection exist within Bleach are presented as artistically as the violence. Frames of action alternate with inner monologues or flashbacks, taking the reader inside the characters' heads. I myself am particularly fond of the splash pages that accompany the manga volumes - they present a sliver of a frame, a few cryptic words or poem-like fragment that captures a theme from the volume. For example, these lines from volume 5: "Unless I grip the sword, I cannot protect you. While gripping the sword, I cannot embrace you." One of the more interesting aspects of the series for me is its personification of the shinigami's swords - their zanpakuto. Their weapon is not simply a tool, it possesses a life of its own. The strongest shinigami are able to communicate directly with their weapon, call it by name, and work as a pair to grow stronger. True strength does not come simply from training the body, but also meditation and training of the mind and cultivation of this relationship. This also allows for diversification of weaponry - in the basic "sealed" form, each zanpakuto looks similar though often with unique sword hilts or varying size. However, once released (shikai is first release, bankai is a much rarer second release) each weapon becomes unique. Physically some transform into different weapon types altogether - spears, tridents, daggers, projectiles, and various other variations of bladed weapons (see video). The capabilities expand and diversify as well, with some weapons acquiring elemental capabilities, for example. In his "inner world" Ichigo fights with his alter ego (see video) to gain strength without sacrificing control over his body. Here he converses with his zanpakuto and his alter ego at various stages in the story. This inner world is literally turned on its side and inverted - black is white, up is down.

Bleach is also interesting for its stunning chapter covers (which are frustratingly repetitive in Naruto, though occasionally wonderful) and frequent use of single image double page spreads (several pictured below). These are used to great dramatic effect in the large images, and to express many things happening at once in fragmented images. The structure of combat in Bleach is typically singular head to head combat, so there are generally multiple individual fights developing simultaneously. This leads to many striking images and is a recurring visual theme - multiple characters initiating battle, struggling, or finally proving victorious.

Though the manga I read is admittedly limited, I've never seen such dramatic use of black as there is in the more recent chapters of Bleach. I'm not trained in the dissection of visual art, but I have a strong (and overbearing) aesthetic sense. The art of Bleach can be incredible - it has clearly developed and matured over the years since the series began. The frames overlap and images spill from one into another. The boundaries between the frames often erode and one image blends into the next. There are often entire pages without words, sometimes several in a row. The story is told so much in image that they are often unnecessary. The anime for bleach is, in my opinion, one of the worst around. It drags horribly and begins each episode with a large chunk of the previous episode. Though it renders well in color, the anime is dull and uninspiring. Fights that are comprised of a chapter or two of striking, bold images drag out to 10 or 15 minutes worth of animated fight. As with anything that gets diluted, the watered down version is far less potent than the original.

Thursday, March 26

Graphic Violence in Graphic Novels: Black Lagoon

Black Lagoon is an excellent example of extreme violence in manga. The language is as rough as the fights, and it's certainly not appropriate for kids with its allusions to and outright representation of pornography, drugs, abuse, organized crime, terrorism and a number of other dark elements. The gunfights are extreme and the art is clear about the level of violence, often showing gaping bullet wounds and piles of bodies. Beyond the graphic nature of the fights, the magnitude of the violence is often extreme. Various mafia organizations, terrorist cells, mercenary armies and bounty hunters struggle to coexist in a city where the underworld exists without any fear of the police and criminals run free. Chaos and vice proliferate: gunfights occur in the streets; buildings are burned, bombed and demolished; bystanders are killed in the crossfire without any remorse. Violence is not stigmatized - there are no apologies. The characters do what they need to to survive, and many enjoy their violent work.
The violence of the series spills over from the physical to the psychological, philosophical and spiritual, providing some brilliant insight into human nature - both comical (see left for the debate over what weapon Jesus would carry) and serious. Personally, my favorite part of the series are the gun running nuns from the Church of Violence (see clip), though crime bosses Mr. Chang of the Chinese Triad and Balalaika of the Russian Hotel Moscow mafia are close seconds, with their pragmatic nihilistic views of the world. This is a dark, violent manga set in a fictional portion of the real world. There are no demons or ghosts, futuristic machines or cyborgs - just man facing himself in a society without morals.
Though the violence is over the top, there is a strong push for realism in the design of the weapons and the language of each character. This is well represented in the english translation of the manga and through the choice of voice actors for the dubbed anime. Normally I dislike dubs, but the majority of the voice actors for Black Lagoon are excellent, and capture the strong and varried ethnic portraits of each character. With such a diverse set of characters, using voice actors with strong accents adds dimension to the carricatures. Even in anime form (I watched the series through before reading the manga - the anime adheres very closely to the manga but I still prefer the manga for the little touches and the quality of the art) the blood and gore in Black Lagoon is surprisingly managable.
One of the most interesting sequences involves several short interactions that Revy (the hired gun protagonist) has with a group of small Japanese children while on an assignment in Japan. Removed from the violence of the primary setting, Revy and Rock are both forced to act according to the rules of civilized society. Stripped of her guns, Revy is left feeling powerless. Conforming to proper behavior in a civilized city forces her to remember her youth in New York and the crimes she commited as a child, and forces Rock to re-evaluate his decision to walk away from his mundane life as a Japanese businessman to live in a lawless city as a member of the Black Lagoon's crew. The "outsider looking in" model is common in literature, but in my experience it is most commonly used as a commentary on one culture from the perspective of another - here it is two people looking in on civilization, realizing that they've crossed a threshold and cannot return to it. I found this segment of the manga and anime fascinating because it played out as the Heart of Darkness in reverse - people living in darkness and chaos forced to confront their loss of humanity when faced with civilization.
With the proliferation of vulgar and incredibly politically incorrect language and the high volume of violence, I would have anticipated disliking this series. Instead it remains one of my favorites. The vulgarity and violence of the plot and character interaction comes across honestly, as an unashamed representation of many darker human elements. Apart from often surviving gunfights and explosions without major injury, there is no happy ending for the crew of the Black Lagoon, just a never ending string of dangerous and mostly illegal work as they try to get by from day to day. When marketing Black Lagoon to friends, I usually describe it as an "R rated Firefly on the East Asian sea." I suppose that overly vague summary holds, as it is really the story of people up against themselves and an unforgiving world, trying to scrape by from day to day on the fringes of society. I suppose the very first page sets up pretty clearly what is to come (see image at right).

Wednesday, March 18

Graphic Violence in Graphic Novels

I was having an interesting conversation with my office mate last night on our way out of the office, one that continued all the way to my car a few blocks away. She had, over the weekend, gone to see Watchmen (for full disclosure I have not seen or read it yet. It's on the list so I don't want to hear any crap. I am a few years behind and I know it!). This is not her normal type of movie and she has very little experience with graphic novels or manga, though her son reads them. Her general view of the movie was that the violence was too much - that while certain things (she mentioned specifically splitting a head open with an axe) might have made for striking images on paper, they were disturbingly violent and graphic in a film, especially live action. Her secondary observation was that some films chose to show you everything, every bit of violence and gore (such as Watchmen, apparently) while others leave some measure of the violence up to the human imagination. I thought these were both good observations and deserved more consideration.

I've never been able to stomach much of what I call "realistic violence." Yet when violence is described in literature I do not have a problem with it, nor when I see it in manga and anime or practice it in video games. I know from personal experience that the medium can have a tremendous impact on the quantity and type of violence that a person can take. Where I often find myself tolerating violence in films as the price I pay to enjoy the larger story, I often find myself enjoying it in graphic novels. I believe this is tied to the level of realism and the decision of many Hollywood films to show as much violence and gore as possible. Though I usually find the level of violence in films to be unnecessary, there are times that it is used not just as part of the plot, but for dramatic or psychological tension. The first example that comes to mind is the "would you like to see a magic trick" moment from The Dark Knight. Sudden, violent and unexpected, the absence of blood and gore add to the unsettling aspect of the violence. Instead of opting to "show everything," this scene capitalizes on what is not shown. The moment passes so quickly that there is barely time to process what has happened before the scene moves on - for me, the surprise and shock at the unexpected violence remained for some time as the scene continued.

When taking a narrative from one form to another, as in graphic novel to feature film or manga to anime, there is a review process in which certain aspects may be altered. Sometimes this is a positive force - slight changes can make a positive impact on the visual representation. The clearest example to my mind of a bad example of this occurs early in Naruto. The devastating effect of Kakashi's signature attack (he literally punches a hole directly through an enemy's chest with his bare hand) is an incredibly powerful 2 page image in the manga, that is lead up to by a full page of blood splatter and reaction shots. It's a moment of breathtaking gore. In the anime, however, this was apparently deemed too violent, and instead, Kakashi is left with a palm to the chest of his victim who is covered in blood. Weak. The work up images of blood splatter that add artistic flair and tension to the moment in the manga are distracting in the anime, as they linger too long and draw out the moment (a common and repetitious problem). With both Naruto and Bleach many of the best and most striking manga images are ruined by slow pacing and repetition in the anime.

When this transition from paper to screen is done right, these types of images make for excellent anime. Reaction shots, closeups that focus on small elements, and large frames focusing on large scale devestation are some of the best visual tools for storytelling. For example, Death Note is able to make writing in a book or scheming or even a "casual" game of tennis full of tension and anticipation because the pacing and music are fantastic (and the art quality as well) and it frequently cuts back and forth between primary action shots and background action, or uses split screen to teriffic effect. Unfortunately, the anime versions of popular weekly serializations are lower in art quality, music quality, and tend to drag out terribly. Bookended with recap and preview each episode only contains perhaps 15 minutes of new content (of which, there is often other recycled content) and even the new content tends to progress at an agonizingly slow pace. Rather than presenting the material in the best fashion, it is stretched to take up as much time as possible, and when the anime (which by necessity uses several manga chapters per week) eventually gains enough ground on the manga that it enters into "filler" content that is created by the anime studios. This filler is generally terrible - because it is content that doesn't exist in the manga, it cannot contain any plot or character development. Perhaps it's this watered down format that makes the violence so easily tolerable - without dramatic tension it's not nearly as upsetting as a tightly wound thriller or action movie.

It was an interesting perspective to hear - I've been thoroughly desensitized to violence in black and white. I love violent mangas like Black Lagoon and Bleach and I tolerate the (non filler) anime, but violence in television and film greatly unsettles me. There is an artistic sense to some manga that is, though violent and a bit grotesque, beautiful.

Currently Reading: The Egyptologist, Arthur Phillips

I decided on my next project: The Egyptologist! I have begun to read it on three or four separate occasions, so here's hoping this one sticks. If not I have plenty of other options...but they were all feeling a bit dense last night (literally, The Time Traveller's Wife weighs a freaking ton for a 500ish page book) so I'm taking it easy for a bit. I was thinking of reading A Heartbreaking Work of Staggering Genius by David Eggers, but it's very dense so I am postponing until my brain feels more alert.

I remember buying this one after reading Prague while I was still living in NYC and working at the Lincoln Center Barnes and Noble (and the 69th and Broadway Anne Taylor up the block, and as a personal assistant...ahh those were the days!). As usual I spotted it offhand and was unable to pass it up - a novel about an archaeologist by an author I had previously enjoyed? Sign me up! The beginning is catchy and fun, and I knew I'd enjoy it but never really managed to dig in deep enough to get rolling on the plot - I always put the book down a few pages in and never came back to it quite fast enough to resume with any sort of clarity.

Review: Veronika Decides to Die

Veronika Decides to Die marks the third of Paulo Coelho's books that I have read in the last year and a half. It all began when I spotted the "gift" edition of The Alchemist while I was at a Barnes and Noble browsing. Being incapable of passing up such a beautiful book, I bought it. I was impressed with the simplicity of the story and language - it's not a tense or difficult read, but it's intriguing and inspirational without being preachy or obnoxious. I enjoyed it enough to snap up The Witch of Portobello on my way down to San Diego in July, and I found that to be a better book by far - well written, cleverly structured, and full of fascinating contradictions (plus, I'm an absolute sucker for stories told by unreliable narrators). So naturally, I tend to stalk the C section at Half Price books, and I picked up this volume around Christmastime this year.

Focusing on the nature of mental illness and its ties to social constructions of "normalcy", and written with considerable personal experience, Veronika is an interesting perspective on individuality and mental health. The novel frequently remined me of his more recent work, The Witch of Portobello. Both books tell the story of a young woman discovering her identity and eventually chosing to live outside of social norms, chosing to be what she wants to be rather than what society asks her to be. Both women toss aside convention and embrace the chaos of freedom, and this choice is not without consequences. Finally, both stories focus heavily on each young woman's impact on the people she meets, allowing them each to narrate in turn.
Like all of Coelho's works that I have read thus far, both books expertly balance faith and fear, idealism and its practical applications. There is despair, emptiness, and embrace of existential values. But like me, Coelho seems to find teriffic meaning in these voids. After all, as my daily Nietzsche quote is currently reminding me, "if you gaze long into an abyss, the abyss will gaze back into you." Coelho's journeys of self discovery feel genuine to me, and reinvigorate my own precisely because his characters are not afraid to stare down the abyss and find what they will within themselves.

Though I preferred The Witch as a novel, I enjoyed this one as well. It was peppered with some excellent observations about the nature of being normal, the stigma of being labled "insane" and how fine the line between those two states really is. Like Coelho's other works it wasn't suspensful - the story itself was predictable and proceded as expected from the earliest pages. However, it's not suspense that makes Coelho's novels a pleasure to read - for me it's the gentle, accesible style and raw portrayal of people as individuals. In this particular case, it's watching people rekindle their desire to live, serving as an excellent reminder to the reader to do the same. Knowing where the story is going doesn't matter when it's literally the journey for each character (and yourself) that matters. The gentle reminder in Veronika is to live life without restraint or regret. To embrace change and motion, to not stagnate or fear chaos, and not to bind yourself by the expectations of others.

There are still many more of Coelho's books to read, but after Witch, Veronika, and The Alchemist, I am left with this simple message: with personal bravery comes the chance for redemption. Live and love without fear, and appreciate each moment. Truth to oneself is the ultimate expression of God.

Friday, March 6

NYT Recognizes Manga and Graphic Novels with Best Seller Lists

And not surprisingly, Naruto and The Watchmen dominate (embarrassing admission: I still haven't read it, nor have I watched or read Sin City). Though, seriously, 8/10 manga volumes is a bit over the top! There's plenty of other good ongoing series out there, and I was shocked that not a single volume of Bleach made the list, considering how widely read that is as well.

I may have to do some sleuthing this weekend to compare the numbers they used to generate this list with online sites that offer faster turnaround, be it streaming or downloading of manga chapter by chapter as it is released. While I'm all for Naruto taking over the world (Believe It!), it would be nice to see a broader representation.

I've been considering tracking my reading habits for a year in a further attempt to thin out the unread volumes on my shelves - perhaps I ought to begin counting the manga by volume as well, since that's where most of my reading hours are lost!

Full listing for the first week listed:
http://artsbeat.blogs.nytimes.com/2009/03/05/introducing-the-new-york-times-graphic-books-best-seller-lists/

Monday, March 2

Currently Reading: Manga Edition

I suppose it bears noting what I am reading in terms of manga since it occupies such a large portion of my free time:

Naruto 440 (caught up so 1 chapter weekly)
Bleach 350 (caught up so 1 chapter weekly)
Black Lagoon 71 (caught up, infrequent updates)
Yakitate Japan 205 (starting from the very beginning)
Fullmetal Alchemist 93 (starting from the very beginning)
Death Note 110 (possible re-read)

I might reread Death Note soon to give it a solid comparison to the anime, which (as far as I watched it until my sub group dropped out) is excellent. It's streaming now on hulu in Japanese, as is Naruto Shippuden (for some reason they're still back in the first part of the horrible filler for Bleach).

Saturday, February 21

Taking Stock: 2009 Reading List

I've been putting off taking stock of my bookcases ever since I moved back to Seattle a few years ago, but I decided this year's resolution for New Years would be literary. No more pledges to get off my ass and get back in shape, or to be more sociable on the weekends. Instead I opted for something that I might actually have the self-control to carry through. So my resolution falls in two parts:

Part One:
I am not allowed to purchase any new books until I cut down on the number of unread ones currently on my shelves. Specifically, for every two books I check off on my enormous "to read" list, I am allowed to purchase 1 new book. To get myself started, I pulled TWENTY books off the shelves. When I read 10 of them, I get a bonus book. When I finish the stack I'll reward myself with something nice! When I knock off 2, I will add the book I purchase as well as 1 more unread volume from my shelves to the list. It's humorous to find the reciepts inside of some of these volumes and realize they were purchased as far back as 2000 or 2001 without having been read yet...I'm so bad!

List of 20:
Veronika Decides to Die, Paulo Coelho finished, March
The Egtyptologist, by Arthur Phillips **currently reading
Glory, by Vladimir Nabokov
The Gospel According to Jesus Christ, Jose Saramago
The Year of the Death of Ricardo Reis, Jose Saramago
The Namesake, Jhumpa Lahiri
Old School, Tobias Wolff
Numbers in the Dark, Italo Calvino
The Time Traveller's Wife, Audrey Niffenegger
Housekeping vs The Dirt, Nick Hornby
The Polysyllabic Spree, Nick Hornby
Words Without Borders, Compilation
Absurdistan, Gary Shteyngart (might have to reread The Russian Debutante's Handbook first)
A Heartbreaking Work of Staggering Genius, Dave Eggers
The Buddha Tree, Fumio Niwa
Embers, Sandor Marai
The God of Small Things, Arundhati Roy
Water for Elephants, Sara Gruen
The Secret of Lost Things, Sheridan Hay
The Name of the Rose, Umberto Eco

Part Two:
I was planning to run this blog as a place to dump my thoughts and observations on gaming now that I am no longer in school and don't have semi-scholarly papers to write. However, I've got something in the works with a friend, Mary, and it will be much better than anything I would have managed by myself. Working together with other people on a blog not only provides for multiple persepctives, but better updating and more types of content...so it's a big win! I hope we get started on it soon but we're both pretty blocked on a name.

Sunday, January 18

Unbelievable, Unforgivable, and Utterly Enraged

This is going to be short and very not sweet: what sort of preface writer spoils the twist in a novel without warning? Seriously.

I was planning on reading The Third Policeman by Flann O'Brien to kick off my new years resolution to clean off my bookshelves of unread volumes, and I was a few pages into the introduction when I was caught completely off guard by a 6th Sense/Usual Suspects level spoiler. Unforgivable! The novel is now completely ruined for me before I even began reading it!

The preface of a book is intended to enhance the book - provide a little background, a little context, perhaps lace in a few teasers. But spoilers?

Back it goes on the shelf. Hopefully I can manage to forget the spoiler's contents, and will be able to enjoy this book at a later date.

Thursday, January 15

Break Time is Over!

It's been a while since I have bothered to write anything, but seeing as I know no one is reading it doesn't bother me. I've got the time these days though - taking a break from playing World of Warcraft always frees up a shocking amount of time.

As with every new year, I find myself piling up stacks of long unread books by my bed (it's a bit shameful to open a book and find the purchase slip dating back 5 years 30 or 40 pages in...) hoping that I'll manage to get through a few before the vigor of the new year fades. I've got a couple Jose Saramago on top, as well as some Umberto Eco, and The Egyptologist - a book I've been trying to read for over a year with little luck.

I've also been binging myself on new music - mostly Guster and Ben Harper. Nothing like a good winter storm to inspire me to branch out a bit. I think I could sit for days staring out the window watching the rain and listening to Damien Rice.

Here's to another year of getting by - onward, onward...